(no subject)
Nov. 10th, 2005 12:21 amQuote: I have stared in fear and awe before at fantasies where it seemed that every character went over-the-top with master plans and webs of complex political intrigue. It’s especially true of villains. Impulsive villains who get in trouble because they simply attacked on instinct are not common in fantasy, probably because fantasists seem to feel that if you have a “quick” temper, you’re automatically a good guy. (And yes, I’ve complained about that before, too). -- Show all different levels of planning, by
limyaael.
I'm *so* getting one of my bad guys to do this. Can I ramp up the sneakiness of one and down the sneakiness of the other, in the novel, or does that screw something else up? I mean, I've got a bigoted aristocrat who thinks the heroine is incapable b/c she's a commoner. He thinks he's doing the best thing for his people by preserving the aristocracy, even at the cost of falling behind economically, so the southern counties rebuild first. Because, to him, the aristocracy is the most important thing to a people's welfare. Because he buys into the idea of an aristocracy, chosen by God. Even though doing so means people are artificially kept in their 'natural' hierarchical roles, instead of moving around in the more egalitarian post-plague society of the southern counties. And why are they more egalitarian? Because they were hit harder by the plague to begin with. Someone has to step up or they're all going to die.
Naturally once things have stablized some, the commoner who calls herself a Duchess has got to go, she's an affront to this bigot's cherished ideals, and attempts to rebuild the aristocracy to its former glory. The assassination attempt in the north could be an impulsive act on his part, and that could be why it fails.
His right hand man is nearsighted, and subtle, and loyal. I sort of thought they gravitated toward one another because of both being twisty. But, is that necessary? Hmmmm. But I have a bit where my bigot is being sneaky in his own right. Maybe he could be inspired to it by events, instead of planning.
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
I'm *so* getting one of my bad guys to do this. Can I ramp up the sneakiness of one and down the sneakiness of the other, in the novel, or does that screw something else up? I mean, I've got a bigoted aristocrat who thinks the heroine is incapable b/c she's a commoner. He thinks he's doing the best thing for his people by preserving the aristocracy, even at the cost of falling behind economically, so the southern counties rebuild first. Because, to him, the aristocracy is the most important thing to a people's welfare. Because he buys into the idea of an aristocracy, chosen by God. Even though doing so means people are artificially kept in their 'natural' hierarchical roles, instead of moving around in the more egalitarian post-plague society of the southern counties. And why are they more egalitarian? Because they were hit harder by the plague to begin with. Someone has to step up or they're all going to die.
Naturally once things have stablized some, the commoner who calls herself a Duchess has got to go, she's an affront to this bigot's cherished ideals, and attempts to rebuild the aristocracy to its former glory. The assassination attempt in the north could be an impulsive act on his part, and that could be why it fails.
His right hand man is nearsighted, and subtle, and loyal. I sort of thought they gravitated toward one another because of both being twisty. But, is that necessary? Hmmmm. But I have a bit where my bigot is being sneaky in his own right. Maybe he could be inspired to it by events, instead of planning.